Overview
When we’re young, many of us are captivated by stories. While some may lose that passion with age, others carry it forward, embracing technology to tell more powerful stories, more efficiently and economically.
That philosophy drives the motto Story First, Tech Forward at Door G, a virtual production studio based in Rhode Island, in the New England region of the Northeastern United States. The studio features a state-of-the-art LED volume from INFiLED, empowering creators to produce bigger, more ambitious stories without being held back by financial or logistical constraints.
Following a packed NAB show in Las Vegas, where Jenna Rezendes (Executive Producer) and Scott Maiocchi (Head of Production) spoke on the INFiLED & Friends stage about their virtual production journey, we caught up with the rest of the team—including Joe Ross (Technical Director) and David Mondillo (Studio Manager)—to learn more about the studio’s evolution and their experience working with INFiLED.
Story First, Tech Forward
At Door G, everything begins with story. Whether it’s a short film, commercial, or large-scale production, the foundation must be narrative. As David emphasized:
“Storytelling has always been the foundation of Door G. Technology is just how we get there more effectively. It’s the bridge between imagination and execution.”
Before building their virtual production studio, the team frequently worked with brands, agencies, and production companies—many of them are retail clients. Filming on location often came with limitations, from strict store policies to weather constraints.
Based in New England, where winters are long, gray, and snowy, the team sometimes had to travel as far as L.A. or Florida for ideal shooting conditions—adding both time and cost.
To meet growing content demands while overcoming those challenges, the team turned to virtual production using LED volumes.
The Challenge: Limited Space, Not Designed for Virtual Production
Door G’s goal was to create a flexible, multi-purpose virtual production studio—able to handle commercial work, branded content, photography, and corporate presentations.
However, the space wasn’t originally built for virtual production. As Scott put it, it was an ad hoc setup—retrofitted to accommodate this ambitious vision. The team had to creatively adapt the layout to suit their evolving needs.